sketchbook: phasex shenaningans

This one comes right from the Where The Hell Were You Last Month department — playing around with PHASEX, one of the more feature-packed and better-sounding softsynths for Linux. PHASEX’s interface is a little confusing at first because it has some interesting and unique features, but at its core it’s essentially an analog modeling synth.

One very cool feature that I only just discovered, though, is the support for audio input. Lots of hardware synths have audio inputs, which you can use to run external audio through the synth’s filters and effects, and that’s exactly what the inputs in PHASEX do, too. There’s even an envelope follower, so it can trigger its filter envelope based on the level of the incoming signal. It’s exactly the kind of thing that might have been brilliantly handy when I was making that sample-based Tunestorm piece!

This, then, is a cello sound from Qsynth running through PHASEX — I’ve used the filters with a bit of resonance added (shifting the cutoff on the fly with the mod wheel), and a square wave for amplitude modulation to gate the sound.


mp3 | vorbis | 60 seconds

sketchbook: enjoy the silence

Here’s one for the Depeche Mode fans — a cover of Enjoy the Silence, which is fairly faithful to the original. Since buying my fancy-pants mic last year I hadn’t actually sung anything (even though I have done a crapload of podcast recording), so this is me correcting that, and also having some fun with synths and sequencing. I did a lot of this on the laptop, so there are more Linux soft synths in there, but I still pulled out the Blofeld for the bass and the “beeeeow” sound in the chorus. Let me know what you think of the results!

mp3 | vorbis | 4:10

sketchbook: supercollider? i just met her!

It took some doing, but I got SuperCollider running a sequenced filter cutoff pattern effect. It actually does a little more than just changing the filter cutoff — it also gates the incoming sound, to get more of a synth arpeggio effect. Here’s a sample, running a cello sound (a soundfont played by Qsynth), with a stereo delay added for good measure:


mp3 | vorbis | 44 seconds

You can check out the code after the jump: Continue reading

sketchbook: ambient exploration

After that Tunestorm bit I’ve been keen to try something different and experiment more with ambient sounds, and this sketch is definitely ambient! There’s no rhythm or melody — just a simple held chord, evolving over time. You won’t walk away humming it, but if you’re after something relaxing, it might fit the bill.

It’s essentially a seven-minute filter sweep, but there’s a tonne of little variations bubbling away inside that sound, so I gave it the time I thought it needed to explore the how the sound changes with every step of that filter. I had it running through my VM1 analogue delay pedal, too, so I turned some knobs on that for good measure as well.


mp3 | vorbis | 7:25

sketchbook: stylophone!

I had a surprise knock on the door just before I left for work this morning — the delivery of a mystery package. The excitement only grew when I ripped open the satchel to reveal a surprise Xmas present: my very own Stylophone! They went back in to production a few years ago, but apart from a few minor additions it’s virtually identical to the classic units of the 60s: it works identically to the old models, and it definitely sounds just as cheesy-good.

In honour of my new toy, here’s a brief bit of Stylophone-infused doof-doof. I couldn’t help but put a filter sweep on the bass line, but apart from that, and copious echoes, the Stylophone sound is untouched. Enjoy! Let me know if you can’t play it, too — I’ve changed the streaming setup a little for this one.


mp3 | vorbis | 52 seconds

sketchbook: not-quite-guitar

I’ve never learned to play guitar, but I wondered the other day if I could synthesise something similar to the sound of a distorted electric guitar, and I don’t think this sketch is too far off. The raw sound is from the Blofeld, and is very vaguely guitarish, but running it through a guitar amp/cabinet sim on the PC adds that distorted character to it.


20090920: 34 seconds

sketchbook: distorted doofy thing

I’ve been playing around with some more distorted sounds on the Blofeld, so here’s a couple of them, with some 909 drums courtesy of Hydrogen. The pad sound is running through a chorus with fairly extreme settings — they’re not far from the chrous plugin’s defaults, and while it wasn’t at all what I was going for, it sounded cool, so I stuck with it.


20090912: 50 seconds

sketchbook: crazy spacey goodness

Today’s sketch is another impromptu bit of improvisation, this time with a very strange spacey sound. The Blofeld’s manual mentions that you can use the LFOs as FM sources, but warned that it may cause some strange aliasing effects, and when I saw that, I just knew I had to give it a go. What we have here, then, is an already kinda-crunchy-strange sound, running through both filters (a comb filter and a sweeping low-pass filter), and a stereo delay effect for good measure.


20090812: 2 minutes 6 seconds

sketchbook: step-sequenced mindless techno crazyness

I was browsing Youtube the other day, and got sick of all the guys with Evolvers having all the fun with their step-sequencers and such, so I thought I’d give something similar a go on my Blofeld. I set up a basic repeating sequence of notes on the PC, set up a basic patch on the Blofeld, and then tweaked away, bringing in different elements and playing with various parameters.

The interesting thing is that this is all one voice, and just one note at a time. The lead sound uses the first two oscillators, and the lower bass sound uses the third, and the noise source powers the drums. Because the Blofeld has two filters per voice, I was able to run the noise through its own filter and adjust it separately, producing bass, hi-hat, and weird spacey sounds.


20090729: 4 minutes 47 seconds

sketchbook: Bassy McBass and His Bass-Bumping All-Bass Big Bass Band (Extra Bass Mix)

As if to prove that my PC is running just fine, here’s a new sketch, which is a super-powerful bass line. It’s your usual detuned sawtooth affair, but it occurred to me today that panning one oscillator to the left, and the other to the right, would create a strong stereo effect, and indeed it does! There’s a third sawtooth an octave lower in the middle for good measure, and some tube distortion to give it more bite.


20090707: 53 seconds