“In astronautics, the Oberth effect is where the use of a rocket engine when travelling at high speed generates much more useful energy than one at low speed.”
I’d been wanting to write something in 6/8 for a while, and RPM seemed like as good a time as any to give it a go. I started this track by creating a simple triplet beat in Ardour, using the Hydrogen 909 kit, and then playing with ideas for a looping bassline using TAL NoiseMaker. Once I had a bassline, I added a simple pad part. Initially, I used presets for the bass and pad sounds, but they didn’t quite fit the sound I was after, so I soon replaced them with my own patches.
Even though I used a Hydrogen kit, I didn’t use Hydrogen to load it at first — instead, I used a new LV2 synth called DrMr, which works with Hydrogen drum kits. It’s early days for DrMr, and it’s promising, but I ended up swapping back to Hydrogen when I discovered that DrMr doesn’t yet respond properly to velocity information.
With the bass and pad in place (with some cutoff automation to spice them up), and the drums fleshed out a bit, I added the arpeggio part, using a TAL NoiseMaker preset, and then the lead, using a proggy patch on the Blofeld. After my experiences on tracks like hohmann, I wasn’t shy about using the pitch bender here, but I think it helps breathe some life in to the lead part, and makes the whole thing sound a bit like a Jean Michel Jarre track.
This was one of the last tracks I worked on; I started it on day 22, and wrapped it up at the start of my final sprint, on day 27. I wasn’t quite happy with the drums (I don’t think that 909 kit works as well here as it did on periapsis), but everything else came together pretty well. It’s not particularly outstanding, but it’s a good, solid track.