rpm 2012 post-mortem, track 6: direct ascent

Direct ascent was a proposed method for a mission to the Moon. In the United States, direct ascent proposed using the enormous Nova rocket to launch a spacecraft directly to the Moon, where it would land tail-first and then launch off the Moon back to Earth.”

After a few downtempo tracks, I felt like the album needed perking up around the half-way mark, so I chose this upbeat chiptune as track 6. This was the second track I started on, back on day 2, though I ended up scrapping much of that sketch and using the chord progression from its intro instead. I also kept the bass rhythm and the drum part, though I later embellished both of these a bit.

I started expanding it on day 15 by writing the intro melody, and then used a variation on that as the starting point for the main melody. I also reused the intro bass line as a second melody line in the start of the second loop through verse. There are four lead sounds that move between different roles; one lead sound for each verse, a separate lead part that’s used for the chorus, and an arpeggio part that also acts as a lead in the section just before the first verse.

As with hohmann, the percussion sounds are from the Dirty Dose sample set and LinuxSampler, while the synth sounds are made by TAL NoiseMaker, with the exception of the arpeggio part, which is Calf Monosynth. I did bend the rules a bit, though — the bass is more of a typical electro bass, with a nice punchy envelope on the filter cutoff, and one of the leads uses two oscillators and a delay plugin (Calf Vintage Delay) to add some more variety.

This is one of my favourite tracks on the album. Breaking the rules didn’t diminish the chiptuney feel at all, and with a few different sounds to play with, I was able to jump between them to keep things interesting. About the only thing I wasn’t entirely happy with was the start of the chorus — the chorus lead part has always seemed a little startling. With more time, a better mix may have fixed that, but some musical rearrangement to give the chorus a better lead-in would probably work better.

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