rpm 2012 post-mortem, track 3: free return

“A free return trajectory is one of a very small sub-class of trajectories in which the trajectory of a satellite traveling away from a primary body (for example, the Earth) is modified by the presence of a secondary body (for example, the Moon) causing the satellite to return to the primary body.”

This is perhaps my favourite track on the album, partly because it’s the closest to the direction I want to head in, with chilled-out but downbeat vibe. It was also the first track I worked on, on day 1. It started as a live SooperLooper jam, using a Rhodes sound to play some chords and melodies over some Blofeld drums.

On day 5 I picked up that jam and imported it in to Ardour, though I ended up replacing those recorded loops with MIDI versions almost immediately. I kept the chord progression from the initial jam, but replaced the Rhodes with a pad sound from the Blofeld that uses an LFO synced to the MIDI clock to pulsate up and down in time with the music (in theory, at least). The Rhodes is still there, though, but just for the lead part, using the MDA ePiano plugin.

By day 6 the arrangement was mostly in place, and I added the bass and the synth lead parts, both using TAL NoiseMaker, and several extra drum parts, using the Blofeld. I also used my Behringer VM1 delay pedal on the Rhodes sound, to give it some lo-fi feel. The “snare” in the chorus is from TAL NoiseMaker, too; I was never entirely happy with that sound, but it was the best I could do at the time. I posted it to Soundcloud on day 6, but I ended up tweaking it a bit more after that on day 7.

Even though I really liked this track, I could make a list of all of the things that are wrong with it. In fact, let’s do that:

  • The lead sound is a bit too clean and proggy, and its levels are a bit up-and-down
  • The rise and fall of the pad sound doesn’t always fall in line with the beat
  • The kick drum all-but-disappears sometimes, due to a cancellation problem in the patch that I’m yet to sort out
  • While I initially liked the sound of MDA ePiano, I found myself liking it a lot less by the end of the recording process — some of its limitations had started to shine through
  • That “snare” sound in the chorus needs a rethink, or at least a lot of work

With some work, though, I think this could be a really good track — the basics are definitely there, and none of the above is unfix-able by any means.

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