After a few last-minute tweaks, I’m finally ready to release my new track. The plan is for this to be the first track of an EP that will be available for download from Bandcamp, but I’m sure that won’t happen for several months, so I wanted to post the track here early to give everyone a chance to hear it. It’s a downbeat, ambient techno-kinda thing I call “Texel”:
mp3 | ogg | flac | 3 minutes 16 seconds
I talked a little about the production in an earlier post, but I have included some further details after the jump.
This is one of my shortest tracks, and that was a deliberate departure for me — in the past I feel like I’ve often stretched things out to get to a certain length, and let them get a bit too repetitive in the process, so I deliberately avoided that here. In hindsight, there’s a lot going on in there, so perhaps it could’ve done with being a bit longer, but it definitely shouldn’t be boring at the very least!
In terms of sounds, the pads and bass are from the Blofeld, but everything else is software — Calf Monosynth for the sixteenth-note bleeps in the background, Linuxsampler for the Rhodes, and Hydrogen for the drums. The Rhodes is the excellent jRhodes3 soundfont, which I converted to SFZ format using sfZed, and the kick and snare come from the Microhammer Gnomehammer collection of wintry sounds.
The vocal sounds were a bit of fun. I recorded myself singing a note in to my mic, chopped out a small section that had a nice, stable pitch, and then time-stretched that to produce a longer vocal sound that sounds a little strange and ethereal. Each of the little vocal flourishes was created from that by pitch-shifting it to create the different pitches, and then performing a bunch of micro-edits for the glitchy, stuttery bits.
Effects-wise, I’ve already discussed Loomer Cumulus — it’s responsible for the messed-up drum break in the middle, and a few drum hits in the latter half of the track. I’ve also used the Decimator plugin a bit: the Cumulus drums, vocal sounds, and sixteenth-note bleeps all have automated Decimator plugins. The warbly, lo-fi delay on the Rhodes is courtesy of my Behringer VM1 analog delay pedal.